Questioning Perception through the Alchemy of Light and Color
To what extent can light, color, and photographic manipulation redefine spatial perception to provoke emotional responses and challenge conventional architectural and artistic interpretations?
This thesis explores the intersection of light, color, and space through a series of experimental investigations using various mediums. It examines how spatial environments can be constructed and transformed with light as a primary material, not only as a structural element but also as an emotional and perceptual force. Drawing inspiration from light artists such as Carlos Cruz-Diez, James Turrell, and Nancy Holt, my work investigates how light and color can actively shape spatial experiences and challenge conventional architectural approaches.
A key factor to this exploration is the phenomenon of the afterimage—the residual optical impression left on the retina after exposure to intense light or color. By utilizing this effect, the project examines how visual interpretation extends beyond immediate spatial surroundings, creating transient experiences that blur the line between reality and illusion. Additionally, through photography and post-production techniques, further manipulation of these effects transforms the captured light and color into new translations that highlight the ambiguity of perception.
As individuals interpret color and light differently based on their personal, cultural, and physiological contexts, the results encourage multiple—and maybe even conflicting—readings. This opens the possibility of controversy, as the interpretations of space, form, and meaning diverge, challenging established notions of light as a passive or decorative element.
By blending physical experimentation with digital manipulation, the research underscores the potential of light and color as fundamental building materials capable of shaping immersive, adaptable environments. Ultimately, this contributes to the ongoing dialogue on how artistic and technological innovations in light can redefine spatial design, perception, and emotional engagement in contemporary architectural practice.
images of a physical model consisting of walls with different
opacities arranged in a grid formation under RGB lighting
A series of 24 silver gelatin prints depicting a space modeled after the selected site of the final installation. Each row is photographed under a consistent color condition, progressing in sequence from blue to green to red, while each column maintains a fixed camera angle. Working in grayscale emphasizes the differences in how each color behaves in the same spatial environment.
red & green
derived from photo (below)
blue & yellow
red & green